The EarCandy 2×6 Mini Guitar amp speaker cab
- This cab is ready to ship Today!
- All materials made in the U.S.A
- All AAA White Birch Wood Cabinet
- Pat pending Twin ported baffle
- All Viper Red Taurus tolex cab
- Transparent Ebony tinted Maple front
- No MDF or particle board anywhere
- All Black steel hardware
- Steel top strap handle
- Steel input jack plate with 1/4 Neutrik input
- Point to Point hand wired with silver solder
- Wired with 14 gauge OFC professional grade speaker wire
- Steel reinforced Rubber feet
- 15pounds, 15.5 wide x 10 tall x 8 deep
- This cab is 100 watts at 8 ohms
- Hand made in Indiana U.S.A
- Shipping to the lower 48 states only
- Large sounding 6 speakers ( see below for speaker specs)
Power Handling (RMS) 100Watts Power Handling – 120Watts Max
Impedance 4,8 or 16ohms Frequency Response 50 to 5,000Hz
Sensitivity 90dB 1W/1m Voice Coil Diameter 1.50
The2x6 is a large sounding cab with a wide sound dispersion.It is perfect for those 5 to 50 watt tube amps because the cab is fast reacting with a lot of
This cab lets your amps tone shine through and does not color your tone.
The2x6 has plenty of Bass, Mids and Highs and is very perceptive to changes in
your amps tone stack or Eq. Don’t let the size fool you.We have people
using our Bailey 2/8 in all levels and all genres of music,everyone
from kids practicing in their basement to professional players doing
Some of these folks have asked us for a even smaller
2x cab so we designed this to deliver the same kind of tone our 2/12
BuzzBomb delivers but at lower volume levels. This gives us the ability
to create a large tone at lower volume levels where you can push your
amp and get lots of volume and tube tone.
EarCandys Twin ported baffle allows the speaker to breath with the air coming in and out of the cab. Because of the way the porting works, the speakers are
floating, they don’t have to fight gravity or air pressure.
They get exactly what they need which allows for more warmth. sustain, tone,
clarity, volume and sound dispersion.Our cabs are not beamy. Because of
our porting design, the entire area in front of the cab is the sweet
The cabs are warm but do cut through, you can use it with a
drummer and bass player and be heard with no issues.You will notice a
180 degree sound dispersion so when you walk around the room the cab
will sound the same.
You do not have to be directly in front of the cab to audibly benefit from the tone of the cab.
Read about how these are made:
All of our woods are AAA with no voids, We have our lumber custom
Milled to our Specifications so these descriptions apply to our cabs and
tone descriptions only. Our woods are Engineered by us and Milled with
a glue used by wooden Instrument makers. We do not use industrial
laminated ply wood.You would not want your guitar made out of MDF, why
would you want your cabs made out of MDF.
We have spent a very long time and a lot of money to engineer a new
jointing process never seen before in the instrument enclosure
industry. Finger and Dado jointing allow for cabinet flex or what has
been known as box talk Box talk happens when sound pressure levels
inside the cabinet apply enough pressure to push or put stress on the
cab jointing. This allows the cabinet to flex in unison with the
speaker polarity, thus creating muddy undefined and slow attacking bass
and a over all sloppy tone.
Open back cabs create a bigger problem in the fact that they allow compression to un-evenly escape the cab from the back, opposite of where you need it and in a uneven resisted pattern. Even at low volume levels, this flex and resistance can greatly increase the amount of work your speaker has to do to sound Our cabs are built in a way that uses the compression and spl from the speakers in a positive way that actually forces the cab jointing
together and not apart, so the louder you want to play, the tighter and
more defined the cab will sound, offering no resistance or flex
allowing for the most pure UN interrupted tone from a cab you have ever
Our cabs are heavily braced on all 4 sides attached at 32
points no further than 5 inches from each other all the way around the
cab (imagine a drum rim with drum lugs) The attachment points are then
tightened until all of them reach the exact same tinsel strength,
meaning you can strike the cab on any side or any corner and it will
ring true, in the same tone all other sides ring in, very much like
tuning a drum.
What this means is, there is NO loose or UN
attended to portions of the cab that will resonate more or less than
another part (thus no dead spots in the cab, thus no box talk).The
EarCandy Process Creates 110% pure, true and completely even delivery
of any tone, combine that with our select woods and your options of
tone are unlimited. This also makes the cab basically one piece and
almost indestructible. This is all done from inside the cab allowing
the sound to travel away from the hardware and not into the hardware,
allowing free and clear travel of sound.
When taking years to develop such a instrument for your instrument, why stop at that? So we use THE BEST materials we can find insuring you this will be the last cab you will need for a long time. This is intellectual property of
EarCandy and is registered with a pat pending. All right reserved